Handling Rejection: Advice for the New Writer

          When I first started writing, rejection was a weight in my stomach that never went away. Even today, it's still there, and with each story I send out, the weight grows stronger. But that's not what writing's about, I tell myself.
          Yes, rejection is a natural part of the writing process. Some stories work with some magazines, and other stories need to be placed somewhere else--that's how the business works. However, we write because we have a story to tell, something that someone out there must know. For myself, it's the common struggle that minorities face every day as they work towards equality or a higher form of understanding. To others, it might be an action filled, horrifying tale of what happened during vacation. Now, in what part of these is there rejection?
             It's crazy, but being a writer is all about, you guessed it, writing. Publishing is only a gold coin that adds flavor to our passion, so if one magazine doesn't accept our story, we can look at the story for what it is, maybe revise it a bit more, then move to the next magazine and see where it goes--that's it.
          Writers carry such a burden with rejection, however, because it's their work--their children. To see our offspring be rejected is hard, and it does hurt. Writers need to remember, however, they are not being rejected as a person.
          In Catch! A Fishmongers Guide to Greatness, Cyndi Crother and the World Famous Pike Place Fish crew discuss that when working, they carry a short motto that allows them to remember everything's not as bad as it seems. Their phrase is "it's all over here," meaning that whatever negative ideas that are thought are not from others, but from ourselves (16). When I first started writing, I felt that I would never get published. At the time, I felt that in order to be a writer, I needed to be published. Writing stories became difficult because I would want them perfect, and the pieces eventually just ended up in my laptop's recycle bin. However, once I let go that editors and publishers were out to destroy my work and mood, writing and submitting became easier.
          And that's the most important thing: submitting and being rejected is easy. When someone asks if we would like a glass of water, and we say no, the other person hopefully is not hurt by our rejection. The same thing applies here, but editors feel that our work is not fit for their magazine. Well, what do we do after a rejection, then?
          Send to another magazine and keep writing.
         It takes courage to continue to send out stories, poems, and novels with the idea rejection could be there, but rejection is not a way to destroy us. Publishers and editors want our stories; they want someone to hear what we have to say. As writers, our job is to enjoy our passion and see who else possibly would like to tell our story.
          It's been a year since my first story was accepted, and for twelve months I received a large amount of rejections. Instead of letting them burden me, I printed the first rejection I received and posted it on the wall, telling myself that it's just a piece of paper ("It's all over here"). As authors, our job is to tell a story, and someone out there wants to hear it. It might take time to find that person, but when we do find them, it's the best feeling ever.
          Until then, we just keep writing.