Showing posts with label non-fiction. Show all posts
Showing posts with label non-fiction. Show all posts

Sunday, June 8, 2014

Learning through Experiencing, Helping

     I finished Stephen King's Cujo a week ago, which pushed me to start The Dead Zone, another novel written in his glory days before his freak accident, being hit while walking along a road. Another novel on my upcoming list is John Grisham's The Firm, which I am very excited to read. This past year has included the most novels that I have ever read, but it's all for good purpose.
     Today, another author asked me to read a shorter piece of his. It was something different, an adult romance, and I gave it a good two hours of me commenting on it and making note of where conflict and scene goals are missing, something I myself have been missing through drafting and creating in revision.
     And that's today's focus. Reading keeps the mind loose, the muse churning even when a writer closes up shop for the night. Like artists, we writers duplicate what we like from genres and writers we love. We throw out what he don't love, and that's that. Is this necessary for one to be a writer?
     In a word: yes. Reading is just as important to writers as being bothersome is to a cuddling cat. The words we peel through in a novel, poem, or short work are what reload our own craft. Think of it like driving a car running purely on electricity, as cars these days tend to do.
     You wouldn't fuel an electric car with water. Student writers try to do this by putting a piece off until the night before it's due. You wouldn't stare at the car and say you were driving it, yet young writers say they write when they actually only think of writing. Who does that?
     A few friends and I had a good laugh, when one learned that a person he knew wrote in a genre he had never read.
     Plain as the sun beating down on Death Valley, writers learn, grow, and feed in their craft by reading, writing, and assisting others through the process. Of course, meeting others and discussing writing can and should be a part of the work. Writing is solely not an activity for introverts. But the meat of what we do, repeated throughout the course of every writing reference you'll pick up, is gained by being a writer and reader.
     Go and find yourself a good book, and start learning.
    

Sunday, April 6, 2014

Typing under Deaf Ears

      For the first time in my life, I had to miss a day of work due to illness. For me, it's a big deal (obviously), and I'm still a bit nervous about the whole thing. Really, it shouldn't be a big deal at all. Shouldn't it?
     I drove home on the Sixty Freeway, and everything sounded muffled. My eyes darted across the highway as I looked for any trouble. My head pounded. Burning hotter than my truck's heater, my throat lining tasted like onions.
     I got home after ten minutes, and immediately, I went to sleep. The next day came, and I had to call out. But from then on, my time in bed was spent with my typewriter or a book.
    Sick days can be argued to have been made for writers. On a weekly basis, if our schedules are busy enough, we have to fight for a chance to put pen to paper, fingers to keyboard. Writing's a career that promises to torment you if you work a ten-hour job (or are a parent).
      I pounded the keys of my fifty-year-old silent-super typewriter, striking a sheet of printer paper--silently. My ears ached. Everything had grown quieter a day after staying home. Conversations felt like shouting matches. Opening my jaw created a pop that shook my head. In a way, I liked it.
     While writing is hard to get to do on a busy schedule, it's also very hard to have peace-and-quiet.
     It's Sunday, five days after day-zero of my cold. I will be returning to work tomorrow, heavily medicated if need be, where writing will have to take the backseat. I feel better. It's not where I'd like my cold to be, but it's where it has to be. Also, my hearing is back.
     Take the time to enjoy whatever life throws at you. Good or bad, it's how we react that makes the difference. Positivity is created by us, not anyone else. By Thursday, I'll surely miss being able to type under very, very clogged ears.

Sunday, March 9, 2014

Stepping into the Past: Using Typewriters in 2014

          My father stopped me from pouring orange-juice into a mason jar. Oatmeal still in the microwave, I set the glass and carton down to see what he wanted. He asked me to lift an orange suitcase. I did, and we set it on the counter near my glass.
          We opened to find that his 60-year-old typewriter had returned from repairs, clean and polished, keys waiting to be pressed. The carbon receipt he was given sat against the roller.
          "Type something," Dad said.
          I tapped a key, but nothing showed from the light touch. I pressed on the I key, and a line of ink appeared after a silver hammer thwacked the ribbon.
          Dad raised his arm and nodded.
          My mind focused on the machine, and I forgot about the bowl of oats waiting for me. Letters became words, and at the end of the line, a bell went off. I slid the roller to the right until the bell rang again, and I typed more.
          We finished and closed the lid. Dad loped to his chair in the dark, and I took my breakfast to my room.

          I tried the Smith-Corona typewriter again today when I decided to write my friend Sawyer a letter. Ze (hir preferred, androgynous pronouns are hir and ze) lives in Washington state, specifically forty minutes away from Seattle. The lines of ink coated a once blank sheet of paper. Because of the pressure needed, I had to backspace and hit the letters again, setting some of the words darker.
          My father watched me from his chair, and Mom sat near him, sprawled out on the couch with chips in a bowl. Each time the bell went off, he smiled. She focused on the television. The Waltons were on, a show she never missed. The thwacks of hammers made her and the cat peek over.
          It's an amazing experience being able to use a typewriter. Unlike laptops, which allow authors to vomit ideas out and fix later, typewriters require patience, perfection. One error means stopping, rolling away the lever, and blotting out letters with correction-fluid. Instead, I let the errors, however little there were, come out, and I told my friend how I am still getting used to it.
          The errors, to me, are part of the magic. My parents found the machine in the garage, a mess with sticking keys and scratched parts. With it working and alive, breathing under my fingers, the errors feel right. Hemingway used a typewriter after he drafted in pencil and paper. Other authors, surely, tried their best to create the next masterpiece. When one uses a typewriter, the music of the bells and clicks are just a part of the meticulous work involved.
           I plan to use the typewriter for letters and nonfiction pieces. The reality and age feels right with nonfiction, and using the typewriter, everything feels cultural. California is full of history, and maybe this is a way for me to experience classic California from the comfort of my living room or foyer. I am sure my friend, Sawyer, will be glad to find hir letter done in real, fresh pressed ink.
          The smell of it on my hands, I am told, is pretty great, too.

Sunday, March 2, 2014

Spring in Academia

          It wasn't until I parked that I realized how much I had to rush. Cars lined the fences of Mt. San Antonio College. A breeze had picked up, and crowds hunkered around the crossing sign at the closest intersection, one parking lot away. For the start of a semester, this wasn't too bad.
          My classes are mixed throughout the week: Mondays and Wednesdays are Speech, Tuesdays and Thursdays are Nonfiction, and Thursday nights are Career Development. I decided to take a lighter semester as I work in other classes, tutoring students and preparing them for their next courses. Nothing too hard, I said.
          I'll be working forty hours a week, at least.
          Crossing the street, I had to squeeze my way through trudging students. I then had to climb the hill. My phone said it was 8:35, which meant that I was later for an 8:30 meeting.
          The American Language department wasn't too much of a walk from where I was. There, I would find my first work section, a linked or connect unit of two classes leading from 9:45 A.M. to 2:05 P.M.. A line led out the front doors. Students of various nationalities fidgeted, sighed, groaned. Those at the end of the line didn't seem any happier, speaking in broken English.
          Eight minutes passed until I found the office of the professor I would be working under. The office hid at the end of the hall, but when I stepped in, the professor greeted me and pulled me to a chair. I was given a textbook, syllabus, and discussion of what to expect. Smiling, I agreed that this semester would be interesting, fun.
          Class started on time, and I might another professor. She gave her name, office hours, and expectations. Halfway through, she introduced me. I stood in front of the class, eyes watching over me. Day one, and I knew that I was in for a ride.

Thursday, February 20, 2014

Speedbumps: A Writer's Nightmare

          The last thing I remember was the plastic mask slipping over my face and the slipping of what felt like a scorpion's tail in my arm. They had asked me to sign one last waiver, and in the reclined chair, one arm hooked to a machine measuring my heart rate, everything went black as they pulled the clipboard away.
          When I woke up, I was sitting in the passenger seat of my mother's Honda Fit, holding a strawberry shake from In n Out with the lid and straw missing, blood on the cup's lip. My head throbbed. Even worse, my cheeks felt punched by the same IV that had been stapled to my arm. I felt happy. I leaned to my driver and told her thanks, that I loved her, and that In n Out was the shit.
         For the next few days, I stayed in bed with pain medicine and antibiotics at the ready. Books were thrown on the floor. I had no interest in Watership Down outside of wanting to hold a rabbit and squeeze it between jaw spasms. My mind was entirely on sleeping off the pain and medicating myself back to sleep. I still wonder if I need a slip of pills just to fall asleep.
          Everything I've worked on until this point has stopped. I have one piece moving around with my beta-readers, but it's due for submission before March. My novel hit 30,000 words a week ago. I posted on Facebook in joy, for it's an achievement I've never thought I would ever reach. Now, it feels like a past vacation that had too many good memories.
          Wisdom teeth or not, there are many reasons why writers pull away from their workload. For me, I can't handle the mix of pain and creation. Creation is birth, and while some argue that birth is pain, this birth is not. For others, the loss of a home or loved one might draw him out of his creative world. It really depends on the person; however, it's not something we surely want to explore.
          My jaws feel tender, but I can sit in a chair and read, now. The words pepper into my mind better than before. I know I should have my glasses on. The steam of a bowl of soup keeps me focused, because my mind is keeping me working for the next spoonful of noodles.
          Work will return next week, and writing will fall back into my life on weekends, days off from homework or studies, maybe. It's hard to say when those days are, but I plan to let them come, and when they do, I'll feel healthy once again.
         

Friday, February 7, 2014

A Hobbit and Several Spiders

          The bathroom is one of the only places in my home where I can escape to read another chapter or sentence without being disturbed. I pick the parent's bathroom, because there's a heater, and even if I've never felt a mid-western freeze, a cold seat is a cold seat with jeans or without. Sometimes, I get through a couple chapters. It really depends on the book.
          Reading allows me to escape. Like many, I find that some books pull stress away better than others. Just recently, I finished J. R. R. Tolkien's The Hobbit. This was one book I actually was able to finish in bed. It wasn't because of my family, however.
          Above the toilet in my parent's restroom looms a web that stretches from the window to the towel racks, and changing his place every visit, the spider is a bulb with matchsticks for legs. Flies hang, and dust weighs the web down further.
          In The Hobbit, Bilbo handles giant, menacing spiders with the power of his one ring (which we all know without even having to read the damn thing). The spiders have his friends hang from cocoons, and their noses and toes poke out, letting Bilbo know who's who.
         I didn't even realize this bug of mine was watching me until something fell and rolled down my bare-back one morning. I jumped from the seat, clothed (no, I wasn't doing anything, just reading). Standing, I hit the web. More touches me. Thankfully, the only person awake was my father, and he spends his time in the back, so he didn't hear me yelp like a wounded Old Yeller.
        In comparison, the spiders in Tolkien's novel aren't that scary. They talk and plan, something we don't see from spiders. To me, this humanizes them and makes them no more scarier than the hairy guy in the Big Bird suit on TV. Real spiders, things, terrorize us because we as readers or viewers don't see the mind behind the creature, demon, or spirit. In literature, we see the effect it brings on the protagonists or unlucky side characters, but not once are we told why something does what it does. Worst of all, if our characters are weak or injured, our hearts begin to pound at these things.
       My spider is still hanging over the toilet, but I duck my head as to not disturb him. He's gained some new trophies, and had I caught them, I wouldn't want someone to knock them into a bowl. It turns out this is a new spider, with even thinner legs and larger eyes. My spider, who I knocked and hollered at during those early morning hours, hangs in one corner, bundled up into a sack.

Saturday, February 1, 2014

Further Confusion, a Not so Confusing Trip

          Walking to a Safeway started my morning, and already, I had seen several convention goers in large animal costumes and uniforms from various anime shows. The sky was open, free of clouds, and the sun warmed me even with the sixty degree temperature. On my back, I carried my bag with a legal pad, box of business cards, and a copy of The Hobbit. Only thing I had forgotten was my room key.
          Further Confusion (FC) is a convention that takes place in San Jose, California, and focuses on anthropomorphic animals and illustrations, something still popular since the years of Disney's The Lion King. Artists, writers, and costumers network and sell their wares and creations. Taking place in a hotel, the convention allows for parties as well, and even with no sense of smell, I can feel the alcohol radiate from the fox I pass by.
          I reach the Safeway with my two roommates, both who are creators of these expensive suits. We pick up sandwich bread and bananas (non-organic due to price). Also, I take this chance to get breakfast. After a walk back, we collapse on our room's beds. A stack of newly purchased novels lay next to me. No spending, I tell myself.
         Outside of buying stuff, there were panels to attend as well as hold. I didn't make it to any of the writing panels I wished to see, but I was on a panel with Kyell Gold and Watts Martin, two authors who are known around the fandom for their fiction. The panel discussed releasing stories and publishing. I focused more so on magazines, blogging and twitter. Questions were passed around for us until the two hours ended, and everyone went on his or her way.
          For me, conventions and conferences present the opportunity to network, unlike what staying behind a keyboard and screen does. Publishers attend as well as fans, and several of my own friends are artists, like my roommates. They spent their time selling behind desks. I lumbered around when I could and helped if they needed it.
          The most important thing for me, however, is getting grounded, and FC allows that. I get to remember my start as a writer, my stressful growth from where I once was. I attended these events with my partner at the time, more focused on the party aspect, but the real thing that draws myself and others is the passion. The time spent on the works seen crawls with it. When people state they wake up in the morning to write, illustrate, or sing, it shows here. It is inspiring, simply. And the energy pushed around gets me working.
          For now, I'm back home and resting. I have started a new piece, and the novel I have been working through is also under heavy focus still. School is coming up, and work is still keeping me busy.
          It's as though I have stepped out of a dream world, and reality is slowly coming back to me. The memories I've made this FC will stay with me, and I look forward to the next upcoming event on my schedule, The San Gabriel Valley Literary Festival. 2014 is turning out to be a great year, and I couldn't be happier.


Kyell gold is the author of Out of Position, Green Fairy, and other anthropomorphic texts. His work can be found on Sofawolf.com.

Information for The San Gabriel Valley Literary Festival can be found at SGVlitfest.com.

Saturday, January 4, 2014

2014: Steps to a New Path

          Something dripped out of my nose, and crawling out of bed felt like stepping from a cliff. It was Christmas, and, like many years before, we had to wait for the family to arrive before anything could be eaten or opened. Snorting, I tried to keep positive as my cat prevented me from anything more than a shuffle under the covers.
          I had slept most of the day. When I woke at six, hungry, my sister had arrived; she had woken me up by slamming the door, shouting about how her tire had exploded and she had to be towed home.
         The evening went well with the nephew opening his new favorite toys, a Hot Wheels Car Maker and Disney Infinity video game, and the rest of us getting things we each can use and cherish for the next upcoming year: 2014.
         In our family, we don't exchange resolutions or stories. Our New Years Eve is spent with pizza, and that's about it. After Christmas had gone, we would fall into our own spaces and hibernate or, if we're lucky, clean. But the rest is needed just as much as the organization. For me, January marks the start of back-to-back conventions, conferences, and hours of work tutoring.
         2013 was an amazing year outside of the threatening belief of rapture and Earth destruction, but it's time to step out and progress further into this new decade. Rather than continue the current path I'm falling, I plan to write more with the time I have rather than wait to spend my time on one day of writing; to step outside my comfort zone and make a difference for others, if not myself, while taking school more seriously.
          I want to thank all the friends and family, whether related or not, for the year of publications, hours of work, months stressing and worrying, and moments of breath and pause. Each day is a new experience, and each moment spent with each other is a new direction. 2014 is the year of the horse, and like Equines, the only thing we can do now is stride towards a new adventure.

Monday, November 25, 2013

Campus History That Lives

          Not so long ago, The Conjuring, a film based off an actual paranormal investigation and exorcism during the 60s, came out on DVD. The story is changed a bit just to keep audiences watching as usual, I believe, but the recreations of paranormal activity are pretty similar to the real thing: wall banging, hair pulling, skin biting and clawing, and item throwing can happen. It was just the other night, during a class of mine, that I felt my school might actually be haunted.
          It was a lecture during my Novel course, and I had my yellow legal pad out for me to take notes. We were discussing plot. I tried to think on how I could incorporate certain aspects into my current novel without pulling the fun from the characters.
          The sound of a desk moving came from the room's left corner. There was a projector, table, and leaning poster of Pulp Fiction sitting against the wall, but they hadn't moved.
          It had came from the other room, where the school's newspaper was made and edited. I read the newspaper whenever it comes out, and asides the occasional  grammar error, it's pretty strong. Their room is placed next to the computer lab I was going to use for work, before I changed rooms due to lacking keys.
          The Novel class would go until ten, and I asked myself what if the school was haunted like The Conjuring. Mt. San Antonio College (Mt. Sac) used to be a military hospital, first army then navy, during World War II. Not many students know this, and when they learn, it's a surprise.
          Locations such as Mt. Sac are prone to paranormal activity. The history is right, and the constant construction changes the landscape every year. When a location is changed from what it once was, spirits tend to be disturbed. This is mostly seen in homes and hotels, but if a location is carrying enough emotion in the walls, anything can happen.
          Which is why I wouldn't be surprised if Mt. Sac was haunted. While the desk could have been moved by a staff member, student, or custodian, it's easy to see where energy can be focused enough to yank an object for a couple of feet. The sound of boots clapping down an empty hallway would not be anything too far from real.
          The lecture finished at the hour. I stayed behind to talk with a couple of classmates and our professor. We talked about movies, the ones people have to watch. After ten minutes, I looked at the clock, said goodnight, and walked the empty but lit corridors to a supposedly empty parking lot.

Tuesday, August 27, 2013

Things That are Warm in the Night

           My twin-brother opened my door and told me that there was something wrong. He looked surprised, and even if it did jolt me, I took a second before turning my chair to look at him. He was dressed, and the light from his room glistened in the hallway's mirror.
           I asked him what was wrong, and he told me that something turned the fan on. Both him and his girlfriend were in bed, napping, and it just turned on without anyone pressing the button. It was his girlfriend who woke up first, then she turned over and shook him awake to see.
           Electricity can do that, though. If the device is used repeatedly after some time of service, energy can move through and power the device without having to be turned on. Think of it like a congested highway tunnel emptied of the rush hour crowd, ready to be used by locals.
           I did think of the times I felt someone in my room, however. Also, after returning from a trip to the gym, I found my pair of dumbbells stacked on top of each other, waiting for me on my desk chair. My blankets have even been pulled from me one night, too, but that's just what it felt like. It could've been me kicking them down.
           So I didn't say anything, and I just listened. When he was finished, I let him know to tell me if it happened again. The fan would turn on one more time before they left to his girlfriend's home, startled.
           It's always best to be a skeptic when anything supposedly paranormal occurs, whether at home or not. The fact that something as such happened is interesting, but nothing too much to raise an eyebrow for. Years of being a paranormal junkie have desensitized me to the littlest things, such as when I went to a haunted tour in San Francisco, and when the tour guide said we might've caught orbs, I simple shrugged and said, "it could be dust."
           He wasn't too happy that others grew discouraged.
           I've gone into my brother's room to see if the fan will turn on for me. It hasn't yet, but when he's gone and the Xbox is open for me to play, I'll go in and sit for a while, with Minecraft on the screen, waiting to see if the fan will turn on without one press of its controls.

Thursday, August 22, 2013

Summer Travels

          Napa, California, was something more than what I expected it to be. At first, I had heard it was where tourists visited to taste wine, get drunk, then regret it and move on back towards their work schedules and lives. My friends made it sound as though it was a location filled with older people three-times my age and up taking photos to show their grandchildren. My grandmother had planned it, and while she is older, I didn't take what my friends had said and applied it to her. Instead, I went with an open mind, a legal pad, and a plan.
          My brother decided not to come with us, but that didn't stop the rest of us from enjoying ourselves. Of course, there's the wine, which starts at downtown Napa and leads up north past where he had stopped, a winery built within a renaissance-esque castle.
          But I wasn't there for wine. Instead, I was there with the opportunity to tell others I had been there, something much like the idea that it's more fun to have written than to actually write. I did taste wine, but it was too dry for me, and when I did find the wines I enjoyed, the one slipping my glasses gave me two bottles and a wave of the hand (I think my grandma bought three).
          Wine is not the only taste of Napa, we learned, as I had spotted a diner filled with people out the front and down near the curb. Stopping, we had lunch and the burgers, much to my expectations, were amazing. As a write, I would make up some excuse to return and draft a novel, or an article such as this. But I would return in actuality to this very stand, and I would have another of their delicious bacon-cheeseburgers.
          Throughout the trip, my legal-pad sat in my Mickey Mouse labled backpack, and stories bled out of me unlike anything I had experienced before. Driving up the 5 at the start, I thought of a man driving home from a business conference to a static-filled radio; however, in the static, he hears the world ending and his loved ones dying. While trying to find our hotel, I illustrated the conflicts faced within five pages and thought of a gas-station attendant too bored out of her mind that she helped us. I sit here now remembering these incidents and tales, and it feels as though I could push them out as one reads this.
          We left Napa only after a short stay and traveled to San Francisco, a city too close to my heart to forget. It's a different world in that several different cultures blend into one fondue of creativity, openness, and passion. Walking down the streets and seeing the filled cable cars demonstrates the passion these people hold while going to a Giants game. Visiting Milk Plaza and seeing a district built on rights and freedom is eye-opening to say the least. The music's not bad, either. In this way, traveling is an amazing way to see what's out there--artist, writer, student, or none.
          I travel with my family every summer, and even though some rides can be rough, the ability to capture an entire destination in words and pictures is astounding. Growing up, I never had the chance to see outside the walls of my family's homes. Now, as I travel to conferences, conventions, and possibly haunted locations, my life is able to become something much grander than what I had ever dreamed. Writers, spend some time out in the world and see what's out there to inspire you. Artists, visit the oceans, mountains, and sunsets, and capture it all in paint, sketch, or photography.
          Families, don't bring your six-year-old to Napa and ask him why he won't keep quiet. He won't, so just go with it, and write it down.

Thursday, July 18, 2013

Summer Time Blues: The Itch of Music

          It was 2010 when I had last marched. When I moved to Chino in 2006, my new high school was known for its award-winning marching band, and my parents wanted my twin and me to join immediately. Music became a part of us, and I sit here in my room thinking back on when I marched in a Drum Corp, an elite group of musicians working only towards the best--that was in 2009.
          The corp and I were in Wisconsin, and the streetlights had just turned on out in front of the school where we were rehearsing and housing. Crickets, frogs, and unseen creatures orchestrated the darkness, but our arc of standing musicians kept us confident.
          I held one of the larger horns, an instrument somewhere between a trumpet, tuba, and trombone--the euphonium. For my size, I was able to carry it well, and I felt my playing gave one of the better sounds in my section. We were a small corp, so there wasn't much competition if there was competing.
          Our instructor moved in front of us holding a plastic block and a chiseled and chewed drumstick. His eyes moved over us, and with a hit of the block we swung our horns up. He hit the block again, counting, and we began to play.
          Notes echoed out into the empty streets behind, bouncing from the trees we were aimed at. The sounds of nature had died as we grew louder, and to us, nothing was more important than perfection. Our twelve-hour days were nothing but back-to-back playing and running. Our legs were the gears working to form symettrical and intricate shapes to the sounds of drums and our horns. We were tired, but we wouldn't go take anything but the best.
          At the far corner of the arc, however, a trumpet player threw down his horn from his lips and slapped his neck. Then, he slapped his arm.
          I could feel the entire arc stop at look at him even as we continued to play to the beaten counts.
          Then, a mellophone player dropped their horn and smacked their leg.
          A tuba flinched and nearly toppled over.
          Two more trumpets spasmed and turned their heads. Finally, the beat stop as the conductor cried out and dropped his stick.
          For minutes, we passed around a silver can of bug spray. The mosquitoes buzzed in our ears and dug their sharp faces into our warm skin at any point they could find. I had placed my horn on the ground; the bugs forced me to move like a schizophrenic boxer, scratching and itching. We never went on, and it was decided to just go in and rehearse in a gym somewhere. When we found no such thing, the directors simply scratched their swollen pockmarks and called it a night.
        
         California is much different in that our evenings aren't so hectic with insects. The news mentions something about mosquitoes once or twice every two or three months, but bug spray sales suffer in comparison to other states.
        I've aged out, finally, and the music has died in me from where it last was. My parents still bring it up, the music, and I can find my mother watching old videos of rehearsals, performances, or going through a stack of photos unrecognizable to me.
       In my top left drawer, beneath the stacks of legal paper, pencils, and dried up sticky-notes full of ideas, I have a small black box. It's dirty, and the sticker label on it is warn out with a crust of dirt and oil. Sometimes when feeling down, however, I open it to find a glistening silver mouthpiece with one dent on the lip and grease stains at the stem from where my horn once held. That's when I feel the itch the most.