Thursday, July 18, 2013

Summer Time Blues: The Itch of Music

          It was 2010 when I had last marched. When I moved to Chino in 2006, my new high school was known for its award-winning marching band, and my parents wanted my twin and me to join immediately. Music became a part of us, and I sit here in my room thinking back on when I marched in a Drum Corp, an elite group of musicians working only towards the best--that was in 2009.
          The corp and I were in Wisconsin, and the streetlights had just turned on out in front of the school where we were rehearsing and housing. Crickets, frogs, and unseen creatures orchestrated the darkness, but our arc of standing musicians kept us confident.
          I held one of the larger horns, an instrument somewhere between a trumpet, tuba, and trombone--the euphonium. For my size, I was able to carry it well, and I felt my playing gave one of the better sounds in my section. We were a small corp, so there wasn't much competition if there was competing.
          Our instructor moved in front of us holding a plastic block and a chiseled and chewed drumstick. His eyes moved over us, and with a hit of the block we swung our horns up. He hit the block again, counting, and we began to play.
          Notes echoed out into the empty streets behind, bouncing from the trees we were aimed at. The sounds of nature had died as we grew louder, and to us, nothing was more important than perfection. Our twelve-hour days were nothing but back-to-back playing and running. Our legs were the gears working to form symettrical and intricate shapes to the sounds of drums and our horns. We were tired, but we wouldn't go take anything but the best.
          At the far corner of the arc, however, a trumpet player threw down his horn from his lips and slapped his neck. Then, he slapped his arm.
          I could feel the entire arc stop at look at him even as we continued to play to the beaten counts.
          Then, a mellophone player dropped their horn and smacked their leg.
          A tuba flinched and nearly toppled over.
          Two more trumpets spasmed and turned their heads. Finally, the beat stop as the conductor cried out and dropped his stick.
          For minutes, we passed around a silver can of bug spray. The mosquitoes buzzed in our ears and dug their sharp faces into our warm skin at any point they could find. I had placed my horn on the ground; the bugs forced me to move like a schizophrenic boxer, scratching and itching. We never went on, and it was decided to just go in and rehearse in a gym somewhere. When we found no such thing, the directors simply scratched their swollen pockmarks and called it a night.
        
         California is much different in that our evenings aren't so hectic with insects. The news mentions something about mosquitoes once or twice every two or three months, but bug spray sales suffer in comparison to other states.
        I've aged out, finally, and the music has died in me from where it last was. My parents still bring it up, the music, and I can find my mother watching old videos of rehearsals, performances, or going through a stack of photos unrecognizable to me.
       In my top left drawer, beneath the stacks of legal paper, pencils, and dried up sticky-notes full of ideas, I have a small black box. It's dirty, and the sticker label on it is warn out with a crust of dirt and oil. Sometimes when feeling down, however, I open it to find a glistening silver mouthpiece with one dent on the lip and grease stains at the stem from where my horn once held. That's when I feel the itch the most.
     

Thursday, July 11, 2013

The Top Six Recognizable Cars in Film and Television History

          I'm not much of a car guy; of course, when it comes to transportation, cars are important. Growing up, however, they didn't interest me other than their purpose. Instead, I grew up around film and media: I worked as a background actor and appear in such films as Seabiscuit, The Terminal, and in shows such as The Bernie Mac Show, JAG, Gilmore Girls, and more. In the movies, cars are much more than transportation--they're characters.
          Rather than go on a huge discussion on which cars do what in every single film, I've comprised a list of the top 6, ranging anywhere from the past to modern day.

Number 6: The Dukes of Hazard

          Whether its the bright orange and contrasting 01, or the infamous horn that can be found anywhere from ringtones, television, or actual novelty horns, The Dukes of Hazard's General-Lee is one of the more recognizable vehicles in film and television history. Even in video-games such as Grand Theft Auto, cars reminiscent of the Duke boys' ride can be found. This here vehicle is nothing but mischief.

Number 5: Bat mobiles
          New or old, Bruce Wayne's vehicles are a must on any car and film lover's list. Sleek, sexy, or ust plain obnoxious, we all grew up watching at least one of these stylish forms of transportation blasting through Gotham after the Joker, Penguin, or Riddler. My personal favorite is the tumbler from Nolan's Dark Knight trilogy. Which is yours?

Number 4: Simpson car


          Over hundreds of television episodes and one feature length film, The Simpsons' car is familiar for such scenes as the infamous introduction, Marge driving away from Homer, and road-trips to Krustyland. In close distance with this vehicle is Homer's famous pink car, but let's not say we would ever forget that bent antennae.

Number 3: 007 Aston Martin
          Need I explain? Sexy women, metal teeth, deadly bowler hats, and one thrilling game of poker; 007 is known throughout the world, and his car follows right with him. Whatever you do, however, don't blow it up.

Number 2: Ghostbuster Car
          Is it an ambulance? Is it a hearse? Whatever it is, it's not afraid of any ghosts. The Ghostbuster car is #2 for its gang of humorous doctors and scientist. Yes, it is a big twinkie.

Number 1: Back to the Future DeLorean
          Doc Brown's famous time machine is at the top with its twin-wing doors, blaring lights, and flashing flux-capacitor (whatever that is). Dreamt up after a toilet-hit to the head, the DeLorean can be found all over 80s memorabilia and the Universal theme parks. Today, actual working DeLoreans matching the film's are made and sold by private makers, pushing this vehicle to the top of the film-nut's list of wanted chariots. ow, can someone explain what a Jiggawatt is?

          ow, these are only six vehicles out of hundreds of movies. There are many more recognizable cars such as the Munster's mobile and Kip from Nightrider. The question is simple: which is your favorite and why?